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Tony McManus Private Stock

We are very excited to announce the arrival of this extremely rare Martin Limited Edition D-50 featuring both Brazilian Rosewood and Bearclaw Sitka Spruce.

Click Here for the Full Listing, Audio, Video and Specs

This 2003 Martin Limited Edition D-50 is number 2 of only 50 made and is as much an art object as an instrument. Not withstanding its amazing appointments, this baby sounds amazing. Lush, tight basses are easily coaxed from this beauty, along with well defined mids and trebles with just the right chime and sparkle.

The extensive use of abalone, outlined in mother-of-pearl, represents the pinnacle of fine craftsmanship by the team at Pearl Works, under the watchful eye of legendary inlay artist, Larry Seifel, before his untimely passing.

The Tree of Life motif is brilliantly executed, flowing gracefully up the fingerboard onto the headstock, while abalone purflings wrap around all edges.

This extremely rare find comes with a letter of authentication and custom leather-bound case with built-in analog hygrometer.

“There’ so much to love about this highly collectible Martin D-50, I hardly know where to start! Of course, the fingerboard inlay is incredible, but one of my favorite details is the abalone herringbone purflings. They just add a great, subtle glow to the perimeter of the body. Not to be outdone by the shellwork, the woods used are lovely and unusual. The pale Brazilian Rosewood is paired beautifully with the heavily bearclawed Sitka Spruce top. Of course, this bad boy has all that legendary dreadnought tone — big fat bass notes and chimey trebles seem to sustain for days, and will have all the banjo pickers at the Feed n Seed running for cover! This is a terrific opportunity to acquire the cornerstone to a museum-worthy guitar collection.” – Paul Heumiller

“I had the chance to play one of these before and it’s quite a thrill to hold a guitar like this one. You might want to put this in a nice display case because the inlay done by Pearl Works is amazing and incredibly detailed. By the way, it’s fun to play as well.” – Al Petteway

Click Here for the Full Listing, Audio, Video and Specs

 

 

 

 

 

 

 

 

 

 

 

 

Gel nails look very natural, they are clear and just a bit shinier than your normal nail. I typically get nice comments on them when folks notice them and it’s a great conversation starter.

Last night I was sitting in the salon getting my nails done when I realized I should do an article as so many players ask about my nails at the shop. There are many ways to go and it’s a personal decision for each player. But here’s what I do and how I got there.

When I initially started playing Fingerstyle I used my own natural nails. The nails were weak, though especially at the end where they often broke, a serious impediment to progress so I switched to metal finger pics – the kind that many Blues players use. I used these for several years. They were extremely uncomfortable and I never liked the metallic attack on the strings.

Then one day I found myself in New York City attending a workshop with Martin Simpson who was one of the instructors. The first song I heard them play was Rosie Anderson and the tone Martin produced was just amazing. Single notes were fat and clear and the overall tone was just beautiful sounding. After the performance we had a chance to meet and chat and he showed me his acrylic nails. Martin told me he goes to the salon every few weeks. I walked out of the door at Columbia University down the street to the first salon I could find and gave them my right hand!! It was pretty comical actually because they thought I wanted both hands done – I mean it was New York City after all. They didn’t speak much English but as soon as I made the motion of playing air guitar they understood.

This was probably 16 or 17 years ago and back then the acrylic nails were a powder and a resin that were mixed together and applied to the nail. Not a great product as it would dry out the original nail and was prone to chipping more often than it should. However over the past few years, a new acrylic nail gel product came out that is not only healthier for your real nail but much more durable and in fact a bit more flexible and better sounding.

The process is pretty simple, as the name implies – the product, which is a gel, goes on thick and gooey and levels itself. If it is your first time and if you want your nails to be longer  they will first apply some fake nail tips to form a bridge for the new gel nail to go over. You then place your hand under a UV light which hardens and cures the gel in short order (warning this can get hot and burning, pull them out for a few seconds to cool and then reinsert them). There’s a few iterations of sanding your nails and adding coats of gel and drying under the UV. This takes about 30 or 40 minutes, then you are ready to go home and play. Well almost. One of the great benefits of this product is shaping. The standard nail file goes from course to fine so you can experiment with beveling your nail and polishing it to different ranges of smooth for the particular tone that you want for your music. Think about the bevel on your favorite pick and try for that for starters.

The long-term care of these nails is pretty straightforward as well – about every 2 to 4 weeks depending on your own situation, you can go back to the salon for what is called a fill. This is where they simply fill in the portion of your nail that has grown out and add any more gel towards the base of your fingernail, fixing any minor nicks or things that need to be touched up.

Nail salon price varies around the country but anywhere from $20-$30 will get you a set of these nails, and fills usually range from $15-$20. Well worth it – I used to lose my pics all the time and now I simply can’t leave home without them.

PS -Be sure and get a pedicure while you’re at the salon, it’s not just for the ladies and it’s fabulous!

What exactly is a baritone guitar? A baritone guitar is simply a guitar with longer strings and a larger body so that it can be tuned to play in a lower sounding register. Tunings, scales and chords are identical to any other guitar just the actual pitch changes. A common baritone guitar would have a scale of 28.5″, that is 3″ longer than a typical guitar. This allows you to use heavier strings and to tune down a 4th or 5th. For instance a common tuning would be Standard Tuning but down a 5th to A-D-G-C-E-A. The relationship between the strings remains exactly like standard tuning, so you play all the same shapes for your chords and scales, but they sound at a different pitch. An open E chord in the first fret would sound like an A chord.

You can also use any alternate or open tuning variation for instance DADGAD tuning from A to A or G to G on the outside strings. The actual pitch is somewhat irrelevant and is dictated by the gauge of strings used and the construction of the instrument. Dream Guitars owner Paul Heumiller, a long time baritone player says, “I play in many tunings on my baritone guitars and I also like to experiment with a variety of strings. For instance I will use a lighter gauge string and tune up higher to B or B-flat on my baritones or I’ll use very heavy strings so that I can get down to a low G on alternate tunings like C9. The same guitar can do a wide variety of things with a little experimentation. It’s also quite fun and gives you a lot of colors if you’re a performer or recording artist. The emotions that you can get from a baritone guitar are unlike anything you can get on a regular guitar.”

While it’s true that many players use low tunings on a normal scale guitar, there is a fullness, depth and beauty that only comes with the longer string length. Other common baritone scales range from 27 or 27 1/2 inches on the short side, and up to the 28.5 inches referred to earlier. The player will feel a bit more of a reach in the left arm due to the longer scale, but it is very easy to play and many players enjoy the extra room it gives for the fingers to do their work.

Baritone string sets are more common now as the instrument has become more popular. D’addario and many other companies offer sets for baritone guitar which would be .017 to .070. Many players also use a medium set shifted over using just the second through sixth strings and then add a bass string of your choice from .060 to .070. A thinner bass can add a bit more string attack while the larger is more round and deep.

Owner Paul Heumiller on why he plays baritone guitars: “For me it’s all about inspiration for my songwriting. I started playing guitar to write music and it has always been my passion. An instrument with a voice that moves you to write something better or different than you normally would is incredibly valuable. For me when I play even my most familiar chords but on a lower tuned baritone, it changes the emotion and the feeling of the music. It leads me somewhere I would not have gone on a regular guitar. I’m a big advocate of having a guitar collection that offers as many different sound possibilities. Why have 10 guitars all the same scale? In my collection I have short scale high tuned guitars, normal scale, fan fret, baritone, bass and nylon string instruments. Inspiration is always just an arms reach away for me as a writer.”

Dream Guitars offers baritone instruments from many of the world’s top custom makers. In addition we have wonderful performer priced instruments as well from Veillette, Furch and Gold Tone. Also keep a look out for the first Dream Guitars labeled baritone models coming in 2014 custom designed by Paul Heumiller and Ken Jones of Dream Guitars, incorporating the features we have seen that really work for baritone over the years.